FILM 5 WINTER 2010 WORKSHOP SERIES

The Winter Workshop series is presented in part by AFCOOP’s FILM 5 Trainee Program. Workshops can be taken individually or as part of the requirements to obtain a position as a FILM 5 Trainee. Workshops run from January to the middle of April and are open to all. Some workshops require prerequisites, which are noted in the descriptions.

Workshops are offered in the following areas:

Cinematography – the Camera Department
The Power of Light – the Grip and Electric Department
Behind the Scenes – the Production Team
Dialogue, Music and Foley – the Sound Department
Editor’s Cut – the Post-Production Team
Film History Crash Course  or click here

Click here for a pdf version of the schedule.

The FILM 5 Trainee Program provides aspiring filmmakers and crew with the opportunity to apply their skills to an industry standard 35mm film shoot. Workshops and intensives prepare participants for a crew position on one of four FILM 5 productions to be shot in April or May. FILM 5 productions provide on-set experience for a minimum of 28 trainees annually.

The following Trainee positions are available:
Production Coordinator, Production Assistant, Assistant Director, Camera Assistant, Sound Assistant, Grip, Electric, Art Department, Continuity, Assistant Editor

Trainee opportunities are open to anyone who has completed the prerequisite workshops for the field in which they wish to work. For more information about the FILM 5 Trainee Program and a list of prerequisites see the website: afcoop.ca/film5/trainee

Cost 
Four hour, evening workshops are $40 for AFCOOP members and $50 for non-members unless otherwise stated. Two-day weekend workshops are $200 for members and $225 for non-members. Other prices are as noted.

All prices subject to change.

Instructors
All workshop instructors are professional and practicing filmmakers.  Hands-on workshops also include up to four hours of on-site practice time. All workshops are located at The Atlantic Filmmakers Cooperative, CBC Radio building, 5600 Sackville st. unless otherwise stated.

All workshops are grouped below by topic area.

FILM 5 - GENERAL
Trainee Info Session                            Cost: FREE
Tuesday, Jan. 19th 6pm – 8pm
This information session will cover everything you need to know about becoming a Film 5 Trainee. We will provide an overview of the various trainee departments and workshop requirements.

Trainee/Team Meet and Greet                        Cost: FREE
Tuesday, March 16th 6pm – 8pm

Set Etiquette                                                   Cost: $40/$50
Thursday, March 11th 6pm – 10pm
Ever wonder who does what on a film set?  How the set is run?  What are the do’s and don’ts and whys? The workshop will prepare beginners for what to expect when they get to set. INSTRUCTOR: TBA
Required ALL FILM 5 Trainees.

CINEMATOGRAPHY – THE CAMERA DEPARTMENT

Everything You Need To Know to Start Shooting Film
Thursday, Jan. 21st 6pm – 10pm
The basics of film image science and how that determines your creative approach to image crafting. Topics discussed include: a brief history of film technology and its development, luminance theory, persistence-of-vision, focal length and the art of lens choices, film stock options and more. Instructor: Chris Spencer-Lowe
A prerequisite for many other AFCOOP workshops and a requirement for FILM 5 Camera Department Trainees and Lighting and Grip Trainees.

Super 16mm Cameras
Tuesday, Jan. 26th 6pm – 10pm
Learn to operate AFCOOP’s Arri SR2 Super16mm camera.  As an extra bonus this workshop covers the basics of the popular Super 16 format. Instructor: Al Delory
Prerequisite: Everything You Need to know.     Highly Recommended for FILM 5 Camera Department Trainees,

35mm Cameras: Part I
Tuesday, Feb. 2nd 6pm – 10pm
A comprehensive overview into the exciting world of 35mm motion picture cinematography with the Arriflex 35III and 35BL III cameras.   Hands on instruction and a review of the 35mm format will be included in this workshop. INSTRUCTOR: Al Delory  Prerequisite: Everything You Need to know Required for FILM 5 Camera Department Trainees

35mm Cameras: Part II
Tuesday, Feb. 9th 6pm – 10pm
An extension of the 35mm workshop.  A basic overview of professional camera accessories, follow focus, video taps, speed control units, matte boxes etc. INSTRUCTOR: Al Delory
Prerequisite: Intro to 35mm Camera Workshop, Required FILM 5 Camera Department Trainees.

Camera Assistant's Intensive                        Cost: $200/$225
Saturday/Sunday, Feb. 13th/14th 10am – 5pm
This two-day course will cover the tasks associated with a being a 1st assistant camera, loader and trainee as well as basic camera operation.  Topics covered include the working relationship with the DOP, focus pulling, loading mags, filters and lenses, film stocks and inventory.
Instructor: Ruby Boutillier
Prerequisite: 35mm Cameras Part I and II, Highly Recommended: Super 16mm Cameras.
Required Film 5 Camera Trainees.

High Definition Video Cameras                        Cost: $40/$50
Monday, March 1st  6pm – 10pm
This workshop will familiarize participants with some of the hottest new tools of HD image gathering, specifically within the context of established filmmaking practices. Participants will learn to operate the second generation HD camera, the Panasonic HVX-200A and the P + S Technik Mini 35 Digital Image Converter. The combination of these two tools allows the use of professional 35mm film lenses with HD imaging, bridging the worlds of film and HD video. HD File formats and data management solutions will also be discussed.
Instructor: Al Delory
Prerequisite: Everything You Need to Know, and 35mm Cameras Part I and II.

Cinematography Primer: Visual Style                    Cost: $40/$50
DATE: Tuesday, March 30th, 6-10PM
This workshop will explore how film and lighting come together to communicate feelings, ideas and tell a story.
Instructor: Christopher Ball, CSC
Prerequisites: Everything You Need to Know, Lighting Principals and Aesthetics and one or more camera workshops.

THE POWER OF LIGHT – THE GRIP AND ELECTRIC DEPARTMENT

Everything You Need To Know to Start Shooting Film
Thursday, Jan. 21st 6pm – 10pm
The basics of film image science and how that determines your creative approach to image crafting. Topics discussed include: a brief history of film technology and its development, luminance theory, persistence-of-vision, focal length and the art of lens choices, film stock options and more. Instructor: Chris Spencer-Lowe
A prerequisite for many other AFCOOP workshops and a requirement for FILM 5 Camera Department Trainees and Lighting and Grip Trainees.

Grip and Electric Intensive                           Cost: $200/$225
Saturday/Sunday, Mar. 6th/7th 10am – 5pm
Participants will be given an overview of the equipment, job descriptions, and structure of the two departments.  The workshop will cover the technical and safety aspects of lighting and grip work.  Through a series of set-ups and demonstrations the participants will learn the basics about colour, electricity and lighting equipment.
Instructor: TBA
Prerequisites: Everything You Need to Know. Required FILM 5 Lighting and Grip trainees

Cinematography Primer: Visual Style                    Cost: $40/$50
DATE: Tuesday, March 30th, 6-10 PM
This workshop will explore how film and lighting come together to communicate feelings, ideas and tell a story.
Instructor: Christopher Ball, CSC
Prerequisites: Everything You Need to Know, Lighting Principals and Aesthetics and one or more camera workshops.

BEHIND THE SCENES – THE PRODUCTION TEAM

Assistant Directing                         Cost: $95m / $125
Saturday, Jan. 30th 10am – 5pm
This one-day workshop will cover the specific functions of the AD team and provide an overview of how the AD team organizes an efficient independent film.  Pre-production and production requirements will be discussed in detail including script breakdown, shooting schedules, on-set responsibilities, and cast/ crew co-ordination.  Required FILM 5 Assistant Director Trainees.

Art Department Intensive                        Cost: $200m / $225
Saturday/Sunday, Feb. 6th/7th 10am – 5pm
This intensive will introduce participants to the structure and roles of the Art Department of a film production. Topics will include techniques, script breakdown, planning and budgeting, tips, do and don’ts and more. INSTRUCTOR: TBA
Required day one FILM 5 Producers, Writers and Directors, required both days, FILM 5 Art Department Trainees

Production Managers’ Intensive                        Cost: $200/$225
Saturday/Sunday, Feb. 13th/14th 10am – 5pm
Good management is an important component of realizing the creative vision of the filmmaking team. In this two-day crash course participants will learn about the organizational tools that can help a production run smoothly and how to manage (the sometime unnecessary but always present!) production problems that can arise. Topics covered include the role of the Production Manager and team, script breakdown, budgeting, cost reporting, hiring personnel, locations and money management. Bring a calculator – there will be lots of hands-on examples.
Instructor: TBA
Required FILM 5 Producers and Production Coordinator Trainees.

Continuity and Script Supervision                     Cost: $40/$50   
Thursday, Feb. 25th 6pm – 10pm
Learn why continuity is one of the most important aspects of shooting a film.
Instructor: TBA
Required FILM 5 Continuity Trainees.

DIALOGUE, MUSIC AND FOLEY – THE SOUND DEPARTMENT

Audio Principles                                 Cost: $40/$50
Thursday, Feb. 11th 6pm – 10pm
An introduction to the terms, principles and science of sound and electronic sound equipment. A must for anyone interested in recording sound for film or sound recording in general.
Instructor: Herb Therialt
This workshop is a prerequisite for the Location Sound Recording and Digital Sound Editing with Pro Tools workshops. It is highly recommended for Sound Design Intensive. Required FILM 5 Sound Department Trainees.

Studio Sound Recording                            Cost: $40/$50
Tuesday, Feb. 23rd 6pm – 10pm
An Intro to AFCOOP’s post sound suite and general studio practices and principles.
Instructor: Herb Theriault
This workshop is a prerequisite for the Digital Sound Editing with Pro Tools workshops. It is highly recommended for Sound Design Intensive.

Location Sound Recording                             Cost: $95/$125
Saturday, March 20th 10am – 5pm
Learn the basics of location sound recording, mixing and boom operating.  An overview of AFCOOP’s location sound equipment will be given and you will participate in some recording practices during this hands-on day.
Instructor: Art McKay
Prerequisite: Audio Principles, Required FILM 5 Sound Department Trainees.

Digital Sound Editing with Pro Tools                        Cost: $205/$235
Saturday/Sunday, March 27th/28th 10am – 5pm, Sunday, April 4th 12pm – 4pm
Learn how to digitize sound effects, foley, dialogue, backgrounds and music into AFCOOP’s Pro Tools environment and edit, manipulate and yes, even mix them together. Twelve hours of practice time is included! Only four participants accepted!
Instructor: Chris Spencer-Lowe
Prerequisites: Sound Design Intensive, Studio Sound Recording, or equivalent studio experience and FAMILIARITY WITH MAC COMPUTERS. Recommended: Location Sound Recording, Post Production Intensive.

Sound Design Intensive                                 Cost: $95/$125
Saturday, April 10th, 10am – 5pm
At its best, a good sound design will breathe new life into a film and place the viewer firmly into (or out of) its world. And yet, this creative endeavor is often an afterthought in the filmmaking process. This one-day intensive will familiarize participants with the art and practical considerations of Sound Design. A great clinic for those interested in sound design and filmmakers who want to communicate with their sound designers.
Instructor: Eva Madden-Hagen  Location: Power Post Ltd. 1660 Hollis st. Halifax
Recommended: Audio Principles, Post-Production Intensive, Location Sound Recording.

EDITOR'S CUT - THE POST-PRODUCTION TEAM

Post-Production Intensive                             Cost: $95/$125
Tuesday, March 2nd 6pm – 10pm
Tuesday, March 9th 6pm – 10pm
The shoot is only the beginning.  A basic step-by-step guide to finishing your film.  Topics will include scheduling and avoiding technical pitfalls, an overview of the lab processes involved in making a 16mm and 35mm film as well as how video is used to facilitate a film finish.
Instructor: Chris Fost
Highly recommended for Digital Sound Editing with Pro Tools, Sound Design Intensive and AVID Editing Intensive.
Required FILM 5 Producers, Directors and Editing Trainees.

AVID Editing Intensive                               Cost: $205/$235
Saturday/Sunday, March 13th/14th 10am – 5pm
Sunday, March 21st 12pm – 4pm
This comprehensive clinic will introduce participants to the universally used AVID MEDIA COMPOSER editing software and hardware. You will also learn how to apply your knowledge of AVID editing to film and effectively edit for a film finish while minimizing the hassles and pitfalls of the process. Twelve hours of practice time and individual instructor appointment is included! Only four participants accepted!
Instructor: Matt Allen
Highly recommended: Post-Production Intensive. 

OR

AVID Editing Intensive                               Cost: $205/$235
Saturday/Sunday, April 24th/25th 10am – 5pm
Sunday, May 2nd 12pm – 4pm
This comprehensive clinic will introduce participants to the universally used AVID MEDIA COMPOSER editing software and hardware. You will also learn how to apply your knowledge of AVID editing to film and effectively edit for a film finish while minimizing the hassles and pitfalls of the process. Twelve hours of practice time and individual instructor appointment is included! Only four participants accepted!
Instructor: Matt Allen
Highly recommended: Post-Production Intensive. 

Editing Aesthetics                                Cost: $40/$50
Monday, March 22nd 6pm – 10pm
Instructor: Luckas Cardona
Required FILM 5 Editing Trainees.

THE FILM HISTORY CRASH COURSE Session II: 1950 - Today

Whether you are new to filmmaking, a seasoned veteran or just want to extend your knowledge of film appreciation, this series offers you a unique opportunity not usually available outside of university film programs. The most important points of Film History will be examined in two-and-a-half-hour classes, which will include full screenings of complete films along with shorter excerpts.

Session II, covering 1950 to the present, will begin January 27th, 2010. Areas covered will include the impact of television, auteur cinema, the impact of the national cinemas of various countries and cinema on the margins. General outlines of history and the context in which film operates as entertainment, education and art will also be considered.

Participants may enroll in the seminars individually or save money by taking the whole series. There are no pre-requisites and you need not to have taken Session I to take any of the Session II seminars.

Individual workshops- $12 AFCOOP members, $15 non-members
10 workshop series package- $105 AFCOOP members, $125 non-members

Minimalism In Film: Bresson’s The Condemned Man Escapes  1956.
Wednesday, Jan. 27th, 6pm – 8:30pm


Shakespeare On TV: Peter Brook’s  King Lear 1956.
Wednesday, Feb. 3rd, 6pm – 8:30pm


The French New Wave: Jean Luc Godard’s Breathless 1959.
Wednesday, Feb. 10th, 6pm – 8:30pm


The French New Wave: Jean Luc Godard’s Breathless, 1959.
Wednesday, Feb. 10th, 6pm – 8:30pm

Surrealism: Bunuel’s The Exterminating Angel, 1963.
Wednesday, Feb. 24, 6pm – 8:30pm

Sam Fuller’s Pulp Cinema: The Naked Kiss, 1965.
Wednesday, Mar. 3rd, 6pm – 8:30pm

Czech New Wave: Nemec’s Diamonds Of the Night, 1965.
Wednesday, Mar. 10th, 6pm – 8:30pm

Existentialism & Identity: Bergman’s Persona, 1966.
Wednesday, Mar. 17th, 6pm – 8:30pm

LQ Jones’ A Boy And His Dog: 1975.
Wednesday, Mar. 24th, 6pm – 8:30pm

The TV Movie’s ‘Issues’: Randall Kleiser’s The Boy In the Plastic Bubble, 1975. Wednesday, Mar. 31st , 6pm – 8:30pm

The Origin Of Horror: Ken Russell’s Gothic, 1986.
Wednesday, Apr. 7th, 6pm – 8:30pm

Kitchen Sink Realism: Richardson/Delaney’s A Taste Of Honey, 1961.
Wednesday, April. 21st, 6pm – 8:30pm